Looking at the current climate (today the Guardian ran an article called 'A Day on a Refugee Ship' whilst the DM ran a uncharacteristically sympathetic (*cough*) story on the plight of disabled refugees), The Bogus Woman, an uncompromisingly frank documentation of an African refugee’s bleak, inevitably hopeless grasp for safety on UK shores, couldn’t be more bang on time or smack closer to home. Krissi Bohn executes this revival of Kay Adshead’s hard-hitting, gut-punching play with an inexorable energy that far eclipses your average bee-hive and leaves you with a far worse sting. An inspiring one-hander that never once strays into the tempting yet tediously fatal pit of self-indulgence; Bohn, under the flawless eye of director Zoe Waterman, springs seamlessly between 30 plus characters, oozing cocky revulsion as a bigoted official one second and bumbling as an affable ex-Eton type solicitor the next. A gutsy and unflinching confrontation that teases out glimmers of hope before wrenching them from under your feet; The Bogus Woman is a must-see show for anyone who has ever taken for granted the four walls around them, the wallet in their pocket or settling in for the night, securely locking their front door and getting a good night's sleep. 4/5
No comments:
Post a Comment